Corps de Ballet
School of Oregon Ballet Theatre
San Francisco Ballet School
SAN FRANCISCO BALLET
Named an apprentice in 2014
Joined the Company as a member of the corps de ballet in 2015
Don Quixote (Seguidilla, Gypsies, Driads, and Fandango)
Giselle (Peasants and Wilis)
Nutcracker (Maid, Mrs. Stahlbaum, Party Guests, Snowflakes, French, and Flowers)
On a Theme of Paganini
Romeo & Juliet (Citizens of Verona and Ballroom)
The Sleeping Beauty (Garland Dance, Ladies of the Court, Nymphs, and Polonaise)
Swan Lake (Peasants, Swans, and Act 3/4 corps)
Brahms-Schoenberg Quartet (4th movement)
Coppélia (Villagers and War and Discord soloist and corps)
Divertimento No. 15
The Four Temperaments (Phlegmatic corps)
Symphony in C (4th movement and finale)
Theme and Variations
The Collective Agreement (originated)
Études (excerpt; Ladies in Black and Sylphides)
Suite en Blanc
Natalia Makarova after Marius Petipa
La Bayadère, Act II (“The Kingdom of the Shades”)
The Little Mermaid (The Mermaid’s Sisters and Nuns)
In the Countenance of Kings
Symphony #9, Piano Concerto #1, and Chamber Symphony in Shostakovich Trilogy
Fancy Free (Last Girl)
Opus 19/The Dreamer
Cinderella (Stepmother Hortensia, Summer corps, and Tree Gnomes)
- Danced in the 2015 film of Helgi Tomasson’s Romeo & Juliet in the inaugural season of Lincoln Center at the Movies: Great American Dance.
WHAT BALLET OR ROLE WOULD YOU LIKE TO DANCE BUT HAVEN'T YET?
Onegin: the male principal role.
WHAT HAS BEEN YOUR PROUDEST MOMENT AS A DANCER? WHY?
Opening night of Balanchine's The Four Temperaments. After performing our section, we were so surprised by the thunderous applause because it had been so long since we performed it in front of an audience. I can remember everyone’s faces as we came off-stage—so energized by the audience's enthusiasm.
IF I WEREN'T A DANCER I'D BE...
A graduate of the Stanford class of 2017. I was accepted my senior year of high school but deferred to study in the school at SF Ballet and then turned them down when I joined the Company.