Corps de Ballet
Rio de Janeiro, Brazil
Ateliê da Dança
Escola de Ateliê de Dança Maria Olenewa
San Francisco Ballet School
San Francisco Ballet School Trainee Program, 2013–2014
San Francisco Ballet
Named an apprentice in 2014
Joined the Company as a member of the corps de ballet in 2015
Companhia Jovem de Ballet do Rio de Janeiro
Don Quixote (Kitri’s Friends, Seguidilla, Driads, Fandango, and Bridesmaids)
The Fifth Season
Giselle (Peasants and Wilis)
Nutcracker (Party Guests, Snowflakes, Spanish, Arabian, French, and Flowers)
On a Theme of Paganini
Romeo & Juliet (Juliet’s Friends)
The Sleeping Beauty (Fairy of Tenderness, Little Lilacs, Garland Dance, Ladies of the Court, Nymphs, Polonaise, Pas de Six/Gold Fairy, Enchanted Princess, and White Cat)
Swan Lake (Aristocrats, Peasants, Swans, Cygnets, and Czardas corps)
Brahms-Schoenberg Quartet (3rd movement)
Coppélia (Swanilda’s Friends, Brides, and Jesterettes)
Divertimento No. 15 (Allegro – Corps)
The Four Temperaments (Sanguinic corps)
Symphony in C (4th movement and finale)
Theme and Variations
Études (excerpt; Ladies in White)
The Little Mermaid (Wedding Guests, The Sea, Passengers on the Ship, and Wedding Guests)
Natalia Makarova after Petipa
La Bayadère, Act II (“The Kingdom of the Shades”)
In the Countenance of Kings
“… two united in a single soul…” (soloist)
Piano Concerto #1 and Chamber Symphony in Shostakovich Trilogy
LET’S BEGIN AT THE END (originated corps couples' role)
Opus 19/The Dreamer
Ghost in the Machine
Cinderella (Spring corps and corps de ballet)
- Danced in the 2015 film of Helgi Tomasson’s Romeo & Juliet (Juliet’s Friends) in the inaugural season of Lincoln Center at the Movies: Great American Dance.
WHAT HAS BEEN YOUR PROUDEST MOMENT AS A DANCER? WHY?
Being able to come to America and be a part of this company.
IF I WEREN'T A DANCER I'D BE...
Working with fashion.
I LOVE SAN FRANCISCO BECAUSE...
The city is beautiful, and you can be whoever you want and no one is going to judge you.