PUSHING DANCE TO THE LIMITS
Looking for poetry, drama, and the hair-raising thrill of extreme virtuoso dancing? Check, check, and check—Ballet Accelerator has all of these and more. A poetic, neoclassical work for eight dancers, Tomasson’s 7 for Eight, set to Bach concertos, incorporates sensual adagio, exuberant allegro, and everything in between. In Mrs. Robinson, master storyteller Cathy Marston puts her own spin on the mindset and motivations of The Graduate’s iconic temptress. David Dawson’s Anima Animus is ballet pushed to every extreme; technique stretched to its outer limit—physically emotional virtuosity.
7 FOR EIGHT
Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson
MRS. ROBINSON WORLD PREMIERE
Music Composed By: Terry Davies
Choreographer: Cathy Marston
Composer: Ezio Bosso
Choreographer: David Dawson
Casting to be announced
Total run time: 2 hours and 20 minutes, including one 20 and one 15 minute intermission
BEHIND THE SCENES
One of Helgi Tomasson's most iconic works. Anima Animus—one of the most challenging contemporary ballets to dance. And Cathy Marston—bringing storytelling back into fashion. Check out the wildly diverse ballets on this program.
7 FOR EIGHT
Costume Design: Sandra Woodall
Lighting Design: David Finn
World Premiere: February 26, 2004—San Francisco Ballet, War Memorial Opera House; San Francisco, California
The 2004 world premiere of 7 for Eight was made possible by Mr. Thomas J. Perkins and The Edward E. Hills Fund.
Scenic and Costume Design: Patrick Kinmonth
Scenario: Cathy Marston and Edward Kemp
Lighting Design: Jim French
Dramaturg: Edward Kemp
Choreographic Collaborator: Jenny Tattersall
Scenic Design: John Otto
Costume Design: Yumiko Takeshima
Lighting Design: James F. Ingalls
Assistant to the Choreographer: Rebecca Gladstone
World Premiere: April 21, 2018—San Francisco Ballet, War Memorial Opera House
The 2018 world premiere of Anima Animus was made possible by Unbound Festival Presenting Sponsor Diane B. Wilsey and Grand Benefactor Sponsor Yurie and Carl Pascarella.