BACKSTAGE

To The Pointe: Jewels

All you need to know about Jewels before you watch >>

Meet the Artist: Tina LeBlanc

Former SFB principal dancer on teaching, training, and Balanchine’s Rubies >>

About George Balanchine's Jewels

A ballet of emotions and contrasts >>

Meet the Artist: Rufus Olivier

Balanchine and Prokofiev from the principal bassoon player's perspective >>

Balanchine and Stravinsky: An Innovative Partnership

Two Innovators, Risk Takers, and Masters of their Art Forms >>

Your Ultimate Guide to Jewels

Balanchine’s masterpiece, inspired by displays at New York City jeweler Van Cleef and Arpels. >>

Raise a Glass to Program 03

Grab a drink and have a #BalletNightIn >>

From Page to Stage

Discover more about the costumes of Wooden Dimes >>

To The Pointe: Program 03

All you need to know about Program 03 before you watch >>

About Ratmansky's Symphony #9

An homage to Shostakovich, Russia, and hope >>

About Rowe's Wooden Dimes

Performing isn’t work. It’s a lifestyle. It’s a calling. >>

About Possokhov’s Swimmer

An Odyssey through American Culture, Memory, and Beauty >>

Who is Alexei Ratmansky?

Meet the renowned and lauded choreographer behind Shostakovich Trilogy and The Seasons >>

Your Ultimate Guide to Program 03

A journey through 20th-century music, history, and literature >>

Who is Danielle Rowe?

Meet the Choreographer behind Wooden Dimes >>

Musicians' Insights: Shinji Eshima on Possokhov's Swimmer

How The Catcher in the Rye led to brass chorales >>

Danielle Rowe Q&A

Insight into Rowe’s 2021 world premiere >>

Meet the Artist: Orchestra Members Steven D’Amico and Shinji Eshima

On their careers and Shostakovich Trilogy >>

Meet the Artist: Yuri Possokhov and Shinji Eshima

On the new ballet, Swimmer >>

Instant Expert: Shostakovich Trilogy

When you think ballet music, you think Russian. But do you think Shostakovich? >>

Musicians' Insight: Mariya Borozina on LET'S BEGIN AT THE END

Three composers, one ballet full of divine music >>

Raise a Glass to Program 02

Grab a drink and have a #BalletNightIn >>

Musicians' Insights: Adam Luftman on Sandpaper Ballet

Learn more about Leroy Anderson’s “A Trumpeter’s Lullaby” >>

About Let's Begin at the End

Love, connection, and discord >>

About Thatcher's COLORFORMS

Kinetic movement in dance, visual art, and film >>

About Mark Morris' Sandpaper Ballet

Morris, musicality, and unmitigated joy >>

From Scratch

How do you make a new ballet during COVID? >>

Your Ultimate Guide to Program 02

A celebration of the contemporary >>

Inside the Studio with Susan Roemer

Step inside the studio of COLORFORMS Costume Designer Susan Roemer >>

Myles Thatcher Q&A

Marrying visual art, film, and movement >>

Dance Film: Let's Begin At The End

See this cinematic exploration of the roller-coaster of love >>

Who Is Mark Morris?

Meet the Choreographer behind Sandpaper Ballet, Beaux, and Joyride >>

Instant Expert: Sandpaper Ballet

Explore Sandpaper Ballet's iconic grid. >>

Who Is Myles Thatcher?

Meet the Choreographer behind Ghost in the Machine and Otherness >>

Taking the Audition Tour on the (Digital) Road

SF Ballet School auditions students virtually for the 2021 Summer Session >>