- Atlanta, Georgia
- The Harid Conservatory
San Francisco Ballet School
San Francisco Ballet School Trainee Program
- Company Membership
Named an apprentice in 2009
Joined the Company as a member of the corps de ballet in 2010
Myles Thatcher has performed principal or featured roles in Tomasson’s Giselle, Nutcracker, Romeo & Juliet, and Swan Lake; Tomasson/Possokhov’s Don Quixote; Cranko’s Onegin; Balanchine’s Symphony in C, Symphony in Three Movements, and Theme and Variations; Caniparoli’s Ibsen’s House and Lambarena; Lifar’s Suite en Blanc; Scarlett’s Hummingbird; and Wheeldon’s Cinderella, Ghosts, and Within the Golden Hour. He created roles in Bubeníček’s Fragile Vessels, Caniparoli’s Tears, Pita’s Salome, Possokhov’s Optimistic Tragedy, Tomasson’s Caprice, and Scarlett’s Hummingbird.
His repertory includes Balanchine’s Allegro Brillante, Brahms-Schoenberg Quartet, Coppélia, Diamonds, The Four Temperaments, and Stravinsky Violin Concerto; Fokine’s Petrouchka; Forsythe’s Artifact Suite and Pas/Parts 2016; Morris’ Drink to Me Only With Thine Eyes; Neumeier’s The Little Mermaid; Possokhov’s Classical Symphony, Fusion, Magrittomania, The Rite of Spring, and Swimmer; Ratmansky’s Shostakovich Trilogy; Robbins’ Glass Pieces and The Concert; Scarlett’s Frankenstein; Tomasson’s Prism and Trio; Wheeldon’s Continuum, Number Nine, and Rush; and Zanella’s Underskin.
Myles choreographed Ghost in the Machine, Manifesto, and In the Passerine’s Clutch for SF Ballet; Foragers for The International Competition for the Erik Bruhn Prize; works for the Rolex Arts Weekend in Mexico City, New York City Ballet, and Joffrey Ballet; and four works for the SF Ballet School. He danced Paris in the 2015 film of Tomasson’s Romeo & Juliet (Lincoln Center at the Movies: Great American Dance).
Myles was selected by Alexei Ratmansky to participate in the 2014–15 Rolex Mentor & Protégé Arts Initiative. In 2016 he was nominated for an Isadora Duncan Award for Outstanding Achievement in Choreography for Manifesto.