Natasha Sheehan has danced featured roles in Tomasson’s Nutcracker (Ballerina Doll and Spanish), The Sleeping Beauty (Aurora—Act 3 excerpt, Fairy of Serenity, and Enchanted Princess/Bluebird), and Swan Lake (Act 1 pas de trois and Cygnets); as well as Thatcher’s Foragers. Her repertory includes Balanchine’s Diamonds, Serenade (Russian corps), and Stravinsky Violin Concerto; Tomasson’s Haffner Symphony and On a Theme of Paganini; Scarlett’s Frankenstein; and Wheeldon’s Cinderella (Spring corps). She created corps de ballet roles in King’s The Collective Agreement, Liang’s The Infinite Ocean, and Lopez Ochoa’s Guernica.

As a student, Natasha performed Company roles in Tomasson’s Giselle (Wilis), Nutcracker (Snowflakes and Flowers), and Swan Lake (Cygnets and Swans); Tomasson/Possokhov’s Don Quixote (Small Driads); Balanchine’s Coppélia (Brides); Cranko’s Onegin; and Makarova’s (after Petipa) “The Kingdom of the Shades” from La Bayadère, Act II. She danced the role of Clara in Tomasson’s Nutcracker for two seasons.

Natasha won the award for best female dancer at The International Competition for The Erik Bruhn Prize in November 2016. At the 2014 Youth America Grand Prix, in the Junior category, she placed 1st for Classical and 3rd for Contemporary at the San Francisco semifinals, and she placed in the top 20 at finals in New York City. In 2011–2012 she received the Dizzy Feet Foundation’s Angelina Ballerina Scholarship and performed at the Dizzy Feet Gala in Los Angeles, California.