What am I seeing? British choreographer Cathy Marston’s unique blend of literature, movement, and emotion. Known in Europe for her narrative ballets inspired by literature, Marston decided to use an American story as the starting point for this ballet: Edith Wharton’s short story Ethan Frome. For those of us who never read Ethan Frome in high school English here’s a quick synopsis: Married man in New England falls in love with his hypochondriac wife’s cousin—who also happens to be his maid.
What am I hearing? A mix of music from Amy Beach, Arthur Foote, and Arvo Pärt arranged by composer Phillip Feeney. Beach and Foote were both part of the “Boston Six,” a group of composers working in the late 19th and early 20th centuries in New England. Working at the same time as Edith Wharton, these composers were key to the development of American classical music.
What should I look for? Look for the way that the main characters’ movement is driven by their emotions—Marston starts her process more like a theatrical director, letting the character’s thoughts dictate the movement language. And watch the corps de ballet in this work; they alternately represent the cold and snow of New England and the central characters’ emotions.