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Bullfighters, Knights, and Longing under the Spanish Sun

CHOREOGRAPHER

Alexander Gorsky after Marius Petipa

COMPOSER

Ludwig Minkus

STAGING AND ADDITIONAL CHOREOGRAPHY

Helgi Tomasson and Yuri Possokhov

Visuals Credit

Madeline Woo as Kitri from Tomasson/Possokhov’s Don Quixote // © Studio Schuller for San Francisco Ballet

Run Time

Act I – 47 minutes
Intermission – 20 minutes
Act II – 46 minutes
Intermission – 15 minutes
Act III – 26 minutes

Location

War Memorial Opera House

Programming, casting, and prices subject to change. 

Grab your castanets and step into a world of Spanish passion and theatrical magic with Don Quixote, ballet’s most exuberant romantic adventure. Drawing from Cervantes’ beloved literary masterpiece, this vibrant production brings together dazzling artistry, captivating characters, and an enchanting tale of love that radiates joy from every turn. 

This spectacle of chivalric knights, Barcelona beaches, a giant trampoline, daggers, and donkeys showcases extraordinary technique, rich storytelling, and the choreographic contributions of Helgi Tomasson and Yuri Possokhov. Don Quixote transforms the stage into a canvas of dynamic movement, vivid imagery, and magnetic entertainment that celebrates the art form’s most spirited traditions. 

Whether you’re just discovering ballet, bringing the whole family, or you’re a devoted enthusiast, Don Quixote offers an unforgettable experience. This production masterfully weaves comedy, romance, and athletic virtuosity into an evening of artistic celebration that exemplifies why ballet continues to captivate audiences worldwide. 

JOIN US BEFORE EVENING PERFORMANCES

Enjoy flamenco dancing in the Opera House lobby before evening performances by Theater Flamenco of San Francisco featuring Carola Zertuche, guitarist, and singer. Dancing begins 30 mintues prior to performance.

PERFORMANCE DATES:

  • Mar 19 (flamenco dancing will be after performance)
  • Mar 20
  • Mar 21
  • Mar 24
  • Mar 25
  • Mar 27
  • Mar 28
Run Time

Act I – 47 minutes
Intermission – 20 minutes
Act II – 46 minutes
Intermission – 15 minutes
Act III – 26 minutes

Location

War Memorial Opera House

Programming, casting, and prices subject to change. 

Tamara Rojo on Balanchine

Eugene Onegin is a richly layered and deeply human exploration of love, regret, and the heart’s fragility. Resident Choreographer Yuri Possokhov’s world premiere brings new depth to Alexander Pushkin’s classic, where a single choice alters the course of a life. 

MEET THE ARTIST INTERVIEWS

San Francisco Ballet’s Meet the Artist pre-performance talks are back in the Opera House for the 2026 Repertory Season! Join us before Friday evening, Sunday matinee, and other select performances, for an informative talk featuring dancers, choreographers, musicians, and other artists in conversation with a moderator.

Special Offers

season packages

Pick Eugene Onegin and one other program and save up to 20% off the single ticket price* with a CYO Duet package.

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season packages

Pick Eugene Onegin and one other program and save up to 20% off the single ticket price* with a CYO Duet package.

*Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.

single tickets

Plan a night to remember with single performance tickets. Limited-time offers available* – including student, senior, and group discounts. Treat yourself to an evening of artistry and elegance.

30% off the following dates:

Saturday January 24 – 8PM
Saturday January 24 – 2PM (MAT)
Sunday January 25 – 8PM

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Credits

CHOREOGRAPHER
Alexander Gorsky, after Marius Petipa

COMPOSER
Ludwig Minkus

Staging and Additional Choreography: Helgi Tomasson and Yuri Possokhov

Additional Principal Coaching: Tamara Rojo and Loipa Araújo

Additional Staging: Anita Paciotti

Scenic and Costume Design: Martin Pakledinaz

Lighting Design: James F. Ingalls

Associate Scenic Design: Arnulfo Maldonado

Associate Costume Design: Heather Lockard

Author of Don Quixote: Miguel de Cervantes

World Premiere (Original Petipa production): December 26, 1869—Imperial Ballet, Bolshoi Theatre; Moscow, Russia

World Premiere (Gorsky production) December 6, 1900—Imperial Ballet, Bolshoi Theatre; Moscow, Russia

World Premiere (Tomasson/Possokhov staging): March 14, 2003—San Francisco Ballet, War Memorial Opera House; San Francisco, California

Music: Don Quixote by Ludwig Minkus. Additional music: Act I, Overture: Galop from La Source Act I by L. Delibes, with introduction by Patrick Flynn. No. 17; “Basilio’s Variation” is “Ole de la Curra” by A. S. Arista, orchestrated by Patrick Flynn. Act ll, No. 21a, additional material in opening ensemble by Patrick Flynn; No. 23, “Kitri & Basilio” is “Three Spanish Women” by V.P. Soloviev-Sedoi; No. 30, Queen of the Driads Variation; “Souvenir du Bal” by A. Simon; No. 31, “Cupid’s Variation” from Paquita by L. Minkus; No. 32, “Kitri’s Variation” by R. Drigo. Act III, No. 48, “Fandango” by Eduard Napravnik; No. 51, Finale: Galop from La Source Act I by L. Delibes, with introduction by Patrick Flynn. Assistant Costume Designer: Shawn McCulloch; Assistant Interns to Martin Pakledinaz: Hannah Kittel, Guilia Cauti, Laura Ortiz. Costumes constructed by: Carelli Costumes Inc. New York, NY; Krostyne Studio Pittsburgh, PA; Parsons-Meares Ltd., New York, NY; Tricorne Inc. New York, NY; Driad tutus by Yoshi Terashima London, England; Masks, Millinery and Head Dressing by Carelli Costumes Inc. New York, NY; Karen Eifert New York, NY, Rodney Gordon New York, NY; Arnold S. Levine, Inc. Theatrical Millinery and Crafts New York, NY; Lynne Mackey Studio New York, NY; Don Quixote armor by Costume Armour New York, NY, Painting and distressing by Jeff Fender Studio Inc. Brooklyn, NY; Fabric dyeing by Eric Winterling Inc. New York, NY; Kimtex Fabric Services New York, NY; Lisa Sacaris Houston, TX; Jewelry by Franklin Labovitz Washington, D.C.; Boots by Hiatt Dance Boots Salt Lake City, UT; Pluma Portland, OR; Scenic construction and painting by San Francisco Ballet Carpentry and Scenic Departments. Horses courtesy of Prince Horse Rental.

SUPPORT FOR DON QUIXOTE PROUDLY PROVIDED BY

LEAD SPONSOR

Anonymous

MAJOR SPONSOR

Marissa Mayer and Zachary Bogue

SPONSORS

Anonymous
James C. Gries
Nion McEvoy and Leslie Berriman
James and Sally Scapa Family Foundation
Robert and Diedre Shaw
Lareina Yee

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