Lee Alexandra Meyer-Lorey
Lee Alexandra Meyer-Lorey (© Chris Hardy)
Named Apprentice in 2003.
Joined the Company as a member of the Corps de Ballet in 2004.
Returned to the Company as a member of the Corps de Ballet in 2013.
Born in Zurich, Switzerland, Alexandra Meyer-Lorey trained at Westside Academy of Dance in Los Angeles and San Francisco Ballet School prior to being named apprentice in 2003. She joined the Company as a corps de ballet member in 2004 and returned in 2013 after a one-year hiatus.
Meyer-Lorey has danced featured roles in Tomasson’s Nutcracker (French and Spanish), The Sleeping Beauty (Little Lilac and White Cat), and Swan Lake (Princess); Balanchine’s Coppélia (Jesterette and Friend); and de Mille’s Rodeo (Rancher’s Daughter).
Her repertory also includes Tomasson’s Giselle (Giselle’s Friend, Peasant, and Wili), Romeo & Juliet, Chi-Lin, The Fifth Season, Meistens Mozart, Nanna’s Lied, On a Theme of Paganini, Prism, and Trio; Tomasson/Possokhov’s Don Quixote; Balanchine’s Brahms-Schoenberg Quartet (1st and 4th movements), “Diamonds,” Divertimento No. 15, “Emeralds,” The Four Temperaments, “Rubies,” Serenade, Stravinsky Violin Concerto, Symphony in C, Theme and Variations, and Who Cares?; Bintley’s The Dance House; Caniparoli’s Ibsen’s House; Fokine’s Petrouchka; Forsythe’s Artifact Suite; Lifar’s Suite en Blanc; Lubovitch’s Elemental Brubeck; MacMillan’s Elite Syncopations; Makarova’s (after Petipa) Kingdom of the Shades, Act II from La Bayadère; Morris’ A Garden, Maelstrom, Sandpaper Ballet and Sylvia; Neumeier’s The Little Mermaid; Possokhov’s Classical Symphony, Firebird, and Reflections; Ratmansky’s Shostakovich Trilogy (Chamber Symphony); Robbins’ The Concert, Dybbuk, Glass Pieces, Opus 19/The Dreamer, and West Side Story Suite; Scarlett’s Hummingbird; Taylor’s Changes, Company B, and Spring Rounds; Wheeldon’s Carousel (A Dance), Cinderella (Cinderella’s Mother, Autumn, and Courtier), Ghosts, Number Nine, and Within the Golden Hour; and Zanella’s Underskin.