- Havana, Cuba
- Escuela Nacional de Ballet de Cuba
- Company Membership
Joined the Company as a principal dancer in 1999
Lorena Feijoo has danced major roles in Tomasson’s Giselle (Giselle), Nutcracker (Grand Pas de Deux Ballerina and Sugar Plum Fairy), The Sleeping Beauty (Aurora), Romeo & Juliet (Juliet), and Swan Lake (Odette/Odile); Tomasson/Possokhov’s Don Quixote (Kitri); Lubovitch’s Othello (Bianca); and Morris’ Sylvia (Diana), among others. She created principal roles in Tomasson’s Blue Rose and On Common Ground; Caniparoli’s Ibsen’s House and Tears; Possokhov’s Diving into the Lilacs, Fusion, Reflections, Study in Motion, Swimmer, and Talk to Her (hable con ella); Ratmansky’s Le Carnaval des Animaux; Scarlett’s Fearful Symmetries; Wheeldon’s Quaternary and Number Nine; and Zanella’s Underskin.
Her repertory includes Balanchine’s Allegro Brillante, Apollo, Ballo della Regina, Emeralds, The Four Temperaments, Rubies, Serenade, Stravinsky Violin Concerto, Symphony in C, Symphony in Three Movements, and Theme and Variations; Caniparoli’s Lambarena; Forsythe’s Artifact Suite, in the middle, somewhat elevated, and Pas/Parts 2016; MacMillan’s Elite Syncopations; Makarova’s (after Petipa) “The Kingdom of the Shades” from La Bayadère, Act II; McGregor’s Chroma; Morris’ Pacific; Nureyev’s Raymonda—Act III; Possokhov’s The Rite of Spring; Ratmansky’s Shostakovich Trilogy; Robbins’ Dances at a Gathering, In the Night, and West Side Story Suite; Scarlett’s Hummingbird; Tomasson’s Confidencias, The Fifth Season, and Trio; Tudor’s Jardin aux Lilas; and Wheeldon’s After the Rain Pas de Deux, Ghosts, and Polyphonia.
Among many guest appearances, Lorena performed in The Tosca Project at ACT. She was nominated for the Benois de la Danse Award in 2011 and received an Isadora Duncan Dance Award for Best Ensemble Performance for Tomasson/Possokhov’s Don Quixote in 2003.