- Marblehead, Massachusetts
- Boston Ballet School
San Francisco Ballet School
San Francisco Ballet School Trainee Program
- Company Membership
Named an apprentice in 2011
Joined the Company as a member of the corps de ballet in 2012
Henry Sidford has danced principal or featured roles in Tomasson’s Nutcracker (Spanish, Arabian, and Russian), Swan Lake (Aristocrats and Spanish), Caprice (soloist), and Prism (principal); Tomasson/Possokhov’s Don Quixote (Toreadors); Balanchine’s The Four Temperaments (2nd Theme), Symphony in Three Movements (demi-soloist), and Theme and Variations (soloist); Caniparoli’s Tears (soloist); Lifar’s Suite en Blanc (pas de trois); McGregor’s Borderlands; Nureyev’s Raymonda—Act III (pas de quatre); Peck’s In the Countenance of Kings (The Hero); Possokhov’s Magrittomania (soloist men); and Thatcher’s Manifesto (principal); and Wheeldon’s Cinderella (Fates). He created roles in Forsythe’s Pas/Parts 2016 and Millepied’s The Chairman Dances.
His repertory includes Balanchine’s Brahms-Schoenberg Quartet (4th movement), Coppélia, Diamonds, and Scotch Symphony; Caniparoli’s Lambarena; Cranko’s Onegin; Fokine’s Petrouchka; Morris’ Beaux, Drink to Me Only With Thine Eyes, and Maelstrom; Neumeier’s The Little Mermaid; Possokhov’s Firebird and Swimmer; Ratmansky’s Shostakovich Trilogy (Symphony #9); Robbins’ Glass Pieces; Scarlett’s Fearful Symmetries and Frankenstein; Thatcher’s Ghost in the Machine; and Tomasson’s Giselle, Romeo & Juliet, Criss-Cross (Schoenberg-Handel movement), and Trio.
Henry danced McGregor’s Borderlands at the 2015 Ballet NOW Gala at the Los Angeles Music Center and performed in the 2015 film of Tomasson’s Romeo & Juliet (Montague Men) as part of the inaugural season of Lincoln Center at the Movies: Great American Dance.