- Coventry, England
- Institute del Teatre (Barcelona)
The Royal Ballet School
- Company Membership
Joined the Company as a principal dancer in 2016
At San Francisco Ballet, Aaron Robison has performed Tomasson’s The Fifth Season. Elsewhere, his repertory includes principal and featured roles in Ashton’s The Two Pigeons; Balanchine’s Agon, The Four Temperaments, Serenade, Stravinsky Violin Concerto, Theme and Variations, and Who Cares?; Bintley’s Aladdin, Cyrano, Hobson’s Choice, The Shakespeare Suite, and Still Life at the Penguin Café; Bruce’s Ghost Dances; Cranko’s Jeu de cartes and The Taming of the Shrew (Petruchio); Elo’s One/End/One; Forsythe’s in the middle, somewhat elevated; Gsovsky’s Grand Pas Classique; Kylián’s Petit Mort, Svedbka, and Wings of Wax; Lander’s Études; MacMillan’s Manon (Des Greuix) and Romeo and Juliet (Benvolio); Neumeier’s A Midsummer Night’s Dream (Theseus/Oberon); Nureyev’s Raymonda (Jean de Brienne); Petipa’s Le Corsaire Pas de Deux; Robbins’ West Side Story Suite (Bernardo); Stevenson’s Nutcracker (Prince) and The Sleeping Beauty (Prince Florimund); Vaganova’s Diana and Acteon Pas de Deux; Welch’s Giselle (Albrecht), Swan Lake (Prince Siegfried), Clear, Maninyas, Powder, Tapestry, and Velocity; and Wright’s Coppélia, Giselle, Nutcracker (Prince), and The Sleeping Beauty (Blue Bird).
Aaron created roles in Bintley’s E=mc2 and Take Five; Kudelka’s Passion; Morris’ The Letter V; Stewart’s Centre and Its Opposite; and Welch’s Paquita, The Young Person’s Guide to the Orchestra, and Zodiac, and danced works by van Manen, McGregor, Tharp, and Wheeldon.
His guest appearances include the Nijinsky Gala in Hamburg, Germany, and Italy’s Festival di Spoleto. In 2004 he won the gold medal at the Seoul International Ballet Competition; 1st Place Young British Dancer of the Year; and the Encouragement Award at the Prix de Lausanne.