San Francisco Ballet School
San Francisco Ballet School Trainee Program, 2011–2013
San Francisco Ballet
Named an apprentice in 2013
Joined the Company as a member of the corps de ballet in 2014
Promoted to soloist in March 2017
Promoted to principal dancer in 2020
Don Quixote (Toreadors)
The Fifth Season
Giselle (Peasant pas de cinq and Servant to the Duke)
Nutcracker (Party Guests, King of the Snow, Jack-in-the-Box, Dancing Nutcracker, Nutcracker Prince, Spanish, Chinese, Russian, Bear, and Grand Pas de Deux Prince)
On a Theme of Paganini (Principal)
Romeo & Juliet (Benvolio and Acrobats)
The Sleeping Beauty (Cavaliers, Suitors, and Bluebird)
Swan Lake (Aristocrats, Act I pas de trois, and Russian)
Coppélia (Villagers, Grooms, and War and Discord corps)
Divertimento No. 15 (Allegro – Theme)
A Midsummer Night’s Dream (Oberon and Divertissement ensemble)
Stravinsky Violin Concerto
Theme and Variations
From Siberia to Moscow (Jockey Dance)
Ibsen’s House (Captain Alving/Oswald Alving in “Ghosts”)
The Collective Agreement (originated)
Etudes (excerpt) (Mazurka and Gentlemen)
The Infinite Ocean (originated)
Suite en Blanc (Pas de cinq)
The Big Hunger
Drink to Me Only With Thine Eyes
The Little Mermaid (Magic Shadows)
In the Countenance of Kings (originated)
Rodeo: Four Dance Episodes (Principal, 3 soloist men and corps)
Optimistic Tragedy (originated)
The Rite of Spring (Elders)
“…two united in a single soul…” (Principal)
Symphony #9, Chamber Symphony and Piano Concerto #1 in Shostakovich Trilogy
Fearful Symmetries (Principal)
Frankenstein (Victor Frankenstein)
Ghost in the Machine (originated)
Bound To (opening pas de deux)
Cinderella (Fates, Summer corps, Autumn corps, and Courtiers)
Within the Golden Hour
- Danced in the 2015 film of Helgi Tomasson’s Romeo & Juliet as part of the inaugural season of Lincoln Center at the Movies: Great American Dance.
What has been your proudest moment as a dancer? Why?
My proudest moment as a dancer was watching Borderlands by Wayne McGregor. I had been helping a friend with her part in it and to see her progress, and her ability to bring a real emotional connection to an abstract piece, was very moving for me.
What's your perfect day?
A day working on challenging material with friends in the studio sounds pretty good.
If I weren't a dancer, I'd be...
A psychologist or physical therapist.