Corps de Ballet
Kaneta Kono Ballet Academy
Canada’s National Ballet School
San Francisco Ballet School
San Francisco Ballet School Trainee Program
SAN FRANCISCO BALLET
Named an apprentice in 2014
Joined the Company as a member of the corps de ballet in 2015
Don Quixote (Seguidilla, Gypsies, Driads, and Fandango)
Giselle (Peasants and Wilis)
Nutcracker (Mrs. Stahlbaum, Housekeeper, Party Guests, Snowflakes, Arabian, French, and Flowers)
On a Theme of Paganini
Romeo & Juliet (Lady Montague and Citizens of Verona)
The Sleeping Beauty (Garland Dance, Ladies of the Court, Nymphs, Lilac Fairy, and Polonaise)
Swan Lake (Peasants, Swan Maidens, Spanish, Swans, and corps)
Agon (Phlegmatic corps)
Brahms-Schoenberg Quartet (4th movement)
Coppélia (Prayer, War and Discord soloist and corps, Villagers)
Divertimento No. 15 (Allegro – Corps)
The Four Temperaments
Theme and Variations
Études (excerpt; Ladies in black and Sylphides)
Suite en Blanc
NATALIA Makarova after MARIUS Petipa
La Bayadère, Act II (“The Kingdom of the Shades”)
Drink to Me Only With Thine Eyes
The Little Mermaid (The Sea, Wedding Guests, and Passengers on the Ship)
Hurry Up, We’re Dreaming (originated)
In the Countenance of Kings
Diving Into the Lilacs (excerpt)
“… two united in a single soul…” (soloist)
Björk Ballet (originated)
Chamber Symphony, Piano Concerto #1 and Symphony #9 in Shostakovich Trilogy
Opus 19/The Dreamer
Cinderella (Cinderella’s Mother, Spirit of Winter/Fluidity, Summer, Bird Ladies, Tree Gnomes, Courtiers, and Balinese Princess)
WHAT'S YOUR FAVORITE COSTUME? WHY?
Arabian from Nutcracker. I like the special Arabian makeup, and the hat is very detailed and pretty.
WHAT HAS BEEN YOUR PROUDEST MOMENT AS A DANCER? WHY?
Making the audience happy and excited at the end of a ballet because that's what we are here for.
IF I WEREN'T A DANCER I'D BE...
A makeup artist.