Meet the Artist Podcasts

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The information, views and opinions expressed in podcasts are strictly those of the participants and do not represent directly or imply any official position of San Francisco Ballet Association.

2012 Season Podcasts

Patti Fitzpatrick

Photo © David Allen

Sunday, May 6, 2012

Development and Campaign Operations Manager Allison Groves interviews Costume Supervisor Patti Fitzpatrick

Patti describes the process of creating the new costumes for Helgi Tomasson and Yuri Possokhov’s Don Quixote and explains the role of SF Ballet’s wardrobe department in preparing the costumes for performances. She also describes her preparations for the Company’s upcoming tours and the next repertory season, as well as the off-season maintenance required to keep costumes in top form.

30 Minutes

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Luke Willis

Photo © David Allen

Friday, May 4, 2012

Luke Willis discusses his unique start in ballet, and muses on his life and career in dance. He considers the pitfalls and the perks of being a professional dancer. The topics range from his take on the critical importance of social media in the arts today, to his thoughts about the varied roles that make dancing so satisfying. Finally, as a key birth date approaches for him, Luke reveals his post dance-career plans - which are quite surprising!

30 Minutes

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Sunday, April 29, 2012

Claire Sheridan, Founder of the LEAP Program at Saint Mary's College, interviews Jane Green, the Stage Manager for the San Francisco Ballet

Jane describes her role as stage manager for SFB's performances in the Opera House, as well as when the company goes on tour. She provides insight into the creative aspects of the work, talks about calling cues for the most complicated ballets, and recognizes the skill and talent of the other professionals working backstage with her during a performance.

30 Minutes

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Frances Chung

Photo © David Allen

Friday, April 27, 2012

Board Relations Manager Jennifer Kovacevich interviews San Francisco Ballet Visiting Scholar Beth Genné

Frances Chung, named a principal dancer in 2009, discusses the challenges and pleasures of performing the role of Kitri in the full-length Don Quixote for the first time this season. She reminisces about her arrival at SFB as a very young dancer, after winning prizes in the Prix de Lausanne and the Adeline Genée Awards. She speaks about how each role in many different styles as enabled her to grow as an artist.

30 Minutes

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Beth Genne

Photo © David Allen

Sunday, April 15, 2012

Board Relations Manager Jennifer Kovacevich interviews San Francisco Ballet Visiting Scholar Beth Genné

Professor Genné discusses the life of choreographer George Balanchine and his importance to the development of American Ballet. She describes his influences and inspirations as well as themes that emerge in his works before discussing in turn each of the ballets on the afternoon’s program: Divertimento No. 15, Scotch Symphony, and The Four Temperaments.

30 Minutes

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Pascal Molat

Photo © David Allen

Friday, April 13, 2012

San Francisco Ballet Director of Education, Charles Mc Neal interviews Principal Dancer, Pascal Molat

Pascal Molat discusses his diverse and challenging roles - ranging from the comedic role of Sancho Panza in Don Quixote to the sullen and pensive Poet in The Little Mermaid. Molat also talks about the importance of mentoring young dancers as he considers a post-dancing career as a Ballet Master or coach.

30 Minutes

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Garen Scribner

Photo © David Allen

Meet the Artist Interview
Thursday, April 12, 2012

Cheryl A. Ossola, SF Ballet writer and Dance Studio Life magazine editor in chief, interviews Soloist Garen Price Scribner

The interview begins with a look at Program 7, an all-Balanchine evening. Soloist Garen Scribner discusses his roles in The Four Temperaments and his work on Scotch Symphony as a student at North Carolina School of the Arts, where he trained with former New York City Ballet principal dancer Melissa Hayden. Garen also talks about his work with Get in Front, a cancer-prevention initiative, and the benefit performance coming up on June 6 at the Herbst Theater, as well as dancing in a L’Oreal commercial with Jennifer Lopez. The Q&A discussion touches on dance notation, Balanchine’s style and legacy, and more.

30 Minutes

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Courtney Elizabeth

Photo © David Allen

Meet the Artist Interview
Sunday, April 1, 2012

Cheryl A. Ossola, SF Ballet writer and Dance Studio Life magazine editor in chief, interviews Soloist Courtney Elizabeth

In her seven years with the Company before she became a soloist, Courtney Elizabeth danced many soloist and principal roles. She discusses her transition from a San Francisco Ballet School student watching performances in standing room, to a corps de ballet dancer who danced in every performance in 2010, to her promotion to soloist in 2011. In discussing the 2012 Repertory Season, she relates her experiences in working on Onegin, Trio, Symphonic Dances, Glass Pieces, and Raymonda. Also touched on are her bachelor’s degree from St. Mary’s LEAP program; what it’s like to work with her husband, fellow dancer Matthew Stewart; and her volunteer efforts for Children of Uganda.

30 Minutes

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Daniel Deivison

Photo © David Allen

Meet the Artist Interview
Friday, March 30, 2012

Dance Educator Mary Wood interviews soloist Daniel Deivison-Oliveira.

30 Minutes

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Ricardo Bustamante

Photo © David Allen

Meet the Artist Interview
Sunday, March 25, 2012

Cheryl A. Ossola, SF Ballet writer and Dance Studio Life magazine editor in chief, interviews Ballet Master & Assistant to the Artistic Director Ricardo Bustamante

Ballet Master Ricardo Bustamante describes his role in working with a choreographer or stager in teaching a ballet to the Company and rehearsing it later on his own. He talks specifically about his work with Ashley Page in creating the Program 6 world premiere, Guide to Strange Places, focusing on the challenges of learning unconventional movement and working with a complex, difficult musical score. Later in the interview he outlines his responsibilities as assistant to Artistic Director Helgi Tomasson, discusses his history as director of two companies in South America, and talks about his favorite role as a character dancer.

30 Minutes

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Ashley Page

Photo © David Allen

Meet the Artist Interview
Friday, March 23, 2012

SF Ballet Education Director Charles Mc Neal interviews Scottish Ballet Artistic Director and Choreographer, Ashley Page

Ashley Page talks about the world premiere of his newly commissioned work, Guide to Strange Places. Page reveals his motivation and inspiration for this ballet, and distills his unique approach to the creative process. He discusses the intricate process of selecting dancers and choosing the right music for new works.

30 Minutes

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Meet the Artist Interview
Sunday, March 11, 2012

Board Relations Manager Jennifer Kovacevich interviews Romeo and Juliet Fight Director and Fight Scene Choreographer Martino Pistone

Fight Director Martino (Marty) Pistone describes the creation of the sword fights and other stage combat in Helgi Tomasson's Romeo and Juliet. He discusses the styles of fencing and the weapons used, as well as the process of teaching dancers the fight choreography. He also discusses working with the dancers for the crowd scenes during the fights, and his performing role as the Prince of Verona.

30 Minutes

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Damian Smith

Photo © David Allen

Meet the Artist Interview
Friday, March 9, 2012

Principal Dancer Damian Smith discusses dancing Tybalt in Romeo & Juliet, including his approach to the character, learning to sword fight, and the nuances of working with various Romeos over the years. He talks at length about the 2010 tour to Australia he produced and directed, performing with a select handful of SF Ballet principal dancers. And he looks back on his 16 years with SF Ballet and what he’s learned about himself, why he dances, partnering, and making each performance fresh.

30 Minutes

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Pierre Francois

Photo © David Allen

Meet the Artist Interview
Tuesday, March 6, 2012

Principal dancers Sarah Van Patten and Pierre François Villanoba described their growth in the title roles of Romeo & Juliet. They referenced their experiences of the ballet prior to performing Artistic Director Helgi Tomasson's version. Pierre Francois described the challenges of learning, rehearsing, and performing the spectacular sword fights.

30 Minutes

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Vito Mazzeo

Photo © David Allen

Meet the Artist Interview
Sunday, February 26, 2012

Cheryl A. Ossola, SF Ballet writer and Dance Studio Life magazine editor in chief, interviews Principal Dancer Vito Mazzeo

Principal Dancer Vito Mazzeo danced in five of six ballets in Programs 2 and 3, and in this interview he goes into detail about rehearsing and performing Yuri Possokhov's Francesa da Rimini, Helgi Tomasson's Trio, and Mark Morris' Beaux. After explaining how seeing Sir Kenneth MacMillan's Winter Dreams as a young boy inspired him to dance, he describes his training at Milan's La Scala Ballet School and his transition to San Francisco Ballet after dancing in Britain and Italy. Drawn to the Company because of its excellence and varied repertory, he talks about what it means to him as an artist to experience such range and opportunities for growth.

28 Minutes

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Francisco Mungamba

Photo © David Allen

Meet the Artist Interview
Friday, February 24, 2012

Charles Mc Neal, SF Ballet Director of Education, interviews Corps de Ballet member, Francisco Mungamba

Mr. Mc Neal and Mungamba discuss Francisco's auspicious beginnings in his native Spain, and his transition to the San Francisco Ballet School. Mungamba further discusses his ascent from the school to the Company, a journey that includes his successful competition in the Prix de Lausanne (2010 Silver Medal Winner), and much more.

28 Minutes

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Ruben Martin Cintas

Photo © David Allen

Meet the Artist Interview
Sunday, February 19, 2012

Claire Sheridan, Founder of the LEAP Program at Saint Mary's College interviews Principal Dancer Rubén Martín Cintas

Ruben talks about why he likes his job, what it feels like to dance in contemporary works like Christopher Wheeldon's Number Nine© and Morris' Beaux, and how he likes to spend his time when he's not dancing. He also describes how he sees the character of Eugene Onegin and why it is his "dream role."

29 Minutes

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Lonnie Weeks

Photo © David Allen

Meet the Artist Interview
Friday, February 17, 2012

Development and Campaign Operations Manager Allison Groves interviews Corps de Ballet dancers Lonnie Weeks

Lonnie describes his unusual path to ballet, how he became a professional dancer at a very young age, and his reasons for joining San Francisco Ballet. He talks about working with choreographers Mark Morris and Wayne McGregor, and explains it was like to participate in the creation of Morris's newest work, Beaux.

29 Minutes

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Dana Genshaft

Photo © David Allen

Meet the Artist Interview
Thursday, February 16, 2012

Development and Campaign Operations Manager Allison Groves interviews Soloist Dana Genshaft

Dana describes her ballet training at three very different schools prior to her arrival at SF Ballet in 2000. She discusses her role in Helgi Tomasson's Trio and describes what it is like to work with Helgi in the studio. She also talks about the challenges of learning new ballets and balancing her on-stage career with her role as a mother.

28 Minutes

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Tiit Helimets

Photo © David Allen

Meet the Artist Interview
Tuesday, February 14, 2012

Dance Educator Mary Wood interviews Principal Dancer Tiit Helimets

23 Minutes

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Vitor Luiz

Photo © David Allen

Meet the Artist Interview
Friday, February 3, 2012

Dance Educator Mary Wood interviews Principal Dancers Maria Kochetkova and Vitor Luiz

29 Minutes

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Pascal Molat

Photo © David Allen

Meet the Artist Interview
Sunday, Jan. 29, 2012

Cheryl A. Ossola, SF Ballet writer and Dance Studio Life magazine editor in chief, interviews Ballet Master Katita Waldo and Principal Dancer Pascal Molat

After Cheryl offers a brief overview of Onegin's history, Katita and Pascal discuss what makes Onegin so compelling, the process of bringing it to the stage, the uniquely challenging partnering in the pas de deux, and the experience of working with Stuttgart Ballet's artistic director, Reid Anderson, and Cranko ballet stager Jane Bourne, who uses a notation system. Also, Katita shares her experiences in rehearsing Principal Dancers Vanessa Zahorian and Davit Karapetyan (each ballet master was assigned to one cast), and Pascal talks about developing the role of Gremin and how being a parent has affected his approach to his work.

28 Minutes

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Sarah Van Patten

Photo © David Allen

Meet the Artist Interview
Friday, Jan. 27, 2012

Charles Chip Mc Neal, SF Ballet Director of Education interviews Principal Dancers, Sarah Van Patten and Pierre-François Vilanoba.Charles Mc Neal and his guests discuss the new SF Ballet production of John Cranko's ballet, Onegin. Van Patten and Vilanoba offer insight into their preparation for the lead roles of Tatiana and Onegin. Each considers the challenges and the joys of portraying these dramatic, iconic characters. They also discuss how the steps themselves are imbued with so much emotional depth, the expressive disposition of the characterizations are readily apparent – "The steps are the emotions."

28 Minutes

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Past Season Podcast Archive
 
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Music for 2011 Season podcasts by Jamie Narushchen