Koto Ishihara (© Chris Hardy)
Joined in 2010.
Born in Nagoya, Japan, Koto Ishihara trained at Yukie Ballet School, Shiho Kanazawa Ballet, The Harid Conservatory, and San Francisco Ballet School. She joined the Company in 2010.
Ishihara has danced featured or principal roles in Tomasson’s Giselle (pas de cinq and both Solo Wilis), Nutcracker (Queen of the Snow, Spanish, and Ballerina Doll) and 7 for Eight; Tomasson/Possokhov’s Don Quixote (Cupid); Balanchine’s Coppélia (Friend), Brahms-Schoenberg Quartet (3rd movement principal), and Symphony in Three Movements (demi-soloist); Cranko’s Onegin (Friend); Lifar’s Suite en Blanc (Serenade); Makarova’s (after Petipa) Kingdom of the Shades, Act II from La Bayadère (1st Shade variation); Nureyev’s Raymonda—Act III (pas de trois); Possokhov’s Firebird (Little Princesses), RAkU (principal), and The Rite of Spring (demi-soloist); and Wheeldon’s Cinderella (Balinese Princess).
Her repertory also includes Tomasson’s Romeo & Juliet, Swan Lake, The Fifth Season, “Haffner” Symphony, and Trio; Balanchine’s Divertimento No. 15, The Four Temperaments, Scotch Symphony, Symphony in C, and Theme and Variations; Forsythe’s Artifact Suite; Liang’s Symphonic Dances; MacMillan’s Concerto (corps de ballet in pas de deux excerpt); McGregor’s Borderlands and Chroma; Page’s Guide to Strange Places; Possokhov’s Francesca da Rimini and Classical Symphony; Ratmansky’s Shostakovich Trilogy (Symphony #9); Robbins’ Glass Pieces; Scarlett’s Hummingbird; and Wheeldon’s Ghosts and Within the Golden Hour.
Ishihara received a silver medal at Tanzolymp International Dance Festival and first place at the Youth America Grand Prix San Francisco Regionals, both in 2010.