Kimberly Braylock (© David Allen)
New York, New York
Named Apprentice in 2009. Joined in 2010.
Born in New York, New York, Kimberly Braylock trained with Charla Genn, Studio Maestro, Ballet Hispanico, and San Francisco Ballet School (including one year in the Trainee Program) prior to being named an apprentice in 2009. She joined the Company in 2010.
Braylock has danced featured roles in Tomasson’s Nutcracker (Arabian), Wheeldon’s Cinderella (Spanish Princess), and Caniparoli’s Ibsen’s House (Ellida Wangel).
Her repertory also includes Tomasson’s Giselle, Romeo & Juliet, Swan Lake, Criss-Cross, and Prism; Tomasson/Possokhov’s Don Quixote; Ashton’s Symphonic Variations; Balanchine’s Agon, Brahms-Schoenberg Quartet (4th movement), Coppélia, Divertimento No. 15, The Four Temperaments, Scotch Symphony, Serenade, Finale in Stars and Stripes, Stravinsky Violin Concerto, Symphony in C, and Theme and Variations; Cranko’s Onegin; Fokine’s Petrouchka; Forsythe’s Artifact Suite; Liang’s Symphonic Dances; Lifar’s Suite en Blanc; Makarova’s (after Petipa) Kingdom of the Shades, Act II from La Bayadère; Morris’ Sandpaper Ballet; Neumeier’s The Little Mermaid; Page’s Guide to Strange Places; Possokhov’s Firebird, Francesca da Rimini, Ghosts, and The Rite of Spring; Ratmansky’s Shostakovich Trilogy (Symphony #9 and Piano Concerto #1); Robbins’ Glass Pieces; and Zanella’s Underskin.
As a guest artist, Braylock choreographed and performed a solo to Spiegel im Spiegel with Ensemble San Francisco for The Vine Conference at Golden Gate Club at the Presidio in San Francisco in June 2014. She performed the Act II pas de deux from Giselle (Petipa) with Anthony Spaulding at the Youth in Action Gala, “Les Danses de L’Amour,” in Bozeman, Montana, in June 2012.