Corps de Ballet

Lee Alexandra Meyer-Lorey

Lee Alexandra Meyer-Lorey

Lee Alexandra Meyer-Lorey (© Chris Hardy)

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Zurich, Switzerland

Company Membership:

Named Apprentice in 2003.

Joined the Company as a member of the Corps de Ballet in 2004.

Returned to the Company as a member of the Corps de Ballet in 2013.

Born in Zurich, Switzerland, Lee Alexandra Meyer-Lorey trained at Westside Academy of Dance in Los Angeles and San Francisco Ballet School prior to being named apprentice in 2003. She joined the Company as a corps de ballet member in 2004 and returned in 2013 after a one-year hiatus.

Meyer-Lorey has danced featured roles in Tomasson’s Nutcracker (French and Spanish), The Sleeping Beauty (Little Lilac and White Cat), and Swan Lake (Princess); Balanchine’s Coppélia (Jesterette and Friend); and de Mille’s Rodeo (Rancher’s Daughter).

Her repertory also includes Tomasson’s Giselle, Romeo & Juliet, Chi-Lin, Meistens Mozart, Nanna’s Lied, On a Theme of Paganini, Prism, and Trio; Tomasson/Possokhov’s Don Quixote; Balanchine’s “Diamonds,” Divertimento No. 15, “Emeralds,” The Four Temperaments, “Rubies,” Serenade, Stravinsky Violin Concerto, Symphony in C, Theme and Variations, and Who Cares?;  Bintley’s The Dance House; Caniparoli’s Ibsen’s House; Fokine’s Petrouchka; Forsythe’s Artifact Suite; Lubovitch’s Elemental Brubeck; MacMillan’s Elite Syncopations; Morris’s A Garden, Sandpaper Ballet, and Sylvia; Neumeier’s The Little Mermaid; Possokhov’s Classical Symphony, Firebird, and Reflections; Robbins’ The Concert, Dybbuk, Glass Pieces, Opus 19/The Dreamer, and West Side Story Suite; Taylor’s Changes, Company B, and Spring Rounds; Wheeldon’s Carousel (A Dance), Ghosts, Number Nine, and Within the Golden Hour; and Zanella’s Underskin.


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